Today in my France Mosaic course we discussed the French
region of Bretagne, which is different from the rest of France because it has
clung the most fiercely to its Celtic heritage and in many ways more closely
resembles Ireland, Scotland, Wales, Galicia (in Spain) and the Ile of Man
(between Ireland and Scotland) than the rest of France. The Breton language more closely resembles
the indigenous languages of the aforementioned places than French, in any
case. There is currently a pretty strong
movement in Bretagne that is arguing for home-rule, or at least a local
parliament with the power to make decisions for the region without Parisian
input. It is rather fascinating.
As soon as I got home from class today, I began writing my
first radio show on Irish music. The
theme for the first broadcast is all-instrumental music as I introduce the
various instruments used in the genre. I
start with Cooley’s Reel by
Inspectedby19 (http://www.youtube.com/watch?v=_HNNu8x_ulA) to demonstrate the guitar. It is one of the rare instances in Irish
music where the guitar actually plays the melody. Next is the fiddle, I which I demonstrate
with a medley by the Dubliners, The Sligo
Maid and Colonel Rodney (http://www.youtube.com/watch?v=dk4Z0IaaW9Y
at 2:04). I then go on to discuss the
tin whistle (which I play) and give a medley of three tunes: the Irish
Washerwoman, the Kesh Jig and the Blarney Pilgrim (http://www.youtube.com/watch?v=eS3J-rHpuag). Next up is the mandolin, which I also play,
and I show off Chief O’Neill’s Favorite
(one of my favorites) (http://www.youtube.com/watch?v=oiBN7gHb5QM). In this version, the Dubliner’s extraordinary
banjo player Barney McKenna takes a break from his signature instrument to play
this lovely tune on the mandolin. I then
have him follow it on his banjo with the
High Reel (http://www.youtube.com/watch?v=_JG1wUh_HBo). I then give an example of another Irish
instrument, the Uileann pipes, the modern incarnation of the Irish bagpipe as
used beautifully (accompanied by the tin whistle and Irish bodhran drum) in the title theme to The Boondock Saints, a song called The Blood of Cuchullain (http://www.youtube.com/watch?v=uuC1DqC67GM). Cuchullain is the greatest of the Irish
heroes, whose life was filled with many extraordinary deed, yet he met with a most
tragic fate. But I have nowhere near
enough time to properly recount the tale and so will move on to the final song,
O’Sullivan’s March by The Chieftains,
which makes heavy use of the bodhran,Uileann pipes, and tin whistle and really
serves to wrap everything up together (http://www.youtube.com/watch?v=vffqnYUyFVQ).
So that’s what’s going on with my life right now. I hope you enjoy some of the listening I
provided. As for me, I really miss my
tin whistle and mandolin right now, but I suppose that I’ll have to make do
with my four harmonicas. Good night,
all.
Nick- out
Nick- out
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